Backend & Ownership: Why the Real Money Isn’t Just in the Upfront Deal
Iris Jackson Iris Jackson

Backend & Ownership: Why the Real Money Isn’t Just in the Upfront Deal

In Hollywood, the real money isn’t always in the upfront check—it’s in the backend. Whether you’re a writer, actor, producer, or IP creator, backend deals like profit participation and ownership can turn a one-time project into a long-term revenue stream. But these deals are only as strong as the contracts behind them. At ELLA, we help creatives understand, negotiate, and protect their backend rights—because your work should keep working for you.

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How to Option a Book for Film or TV: A Legal Perspective
Iris Jackson Iris Jackson

How to Option a Book for Film or TV: A Legal Perspective

Thinking about adapting a book into a film or TV series? Learn how to legally option a book—from securing film rights to structuring your contract—straight from our Los Angeles entertainment law team. Whether you're a producer, screenwriter, or indie filmmaker, this guide breaks down everything you need to know to protect your next book-to-movie deal.

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The Difference Between a Manager and an Agent: Legal Considerations for Talent
Iris Jackson Iris Jackson

The Difference Between a Manager and an Agent: Legal Considerations for Talent

Wondering whether you need a talent manager or an agent—or both? This guide breaks down the legal differences between managers and agents in the entertainment industry, including their roles, commission structures, and what to look for in contracts. Whether you're an actor, musician, or content creator, understanding talent representation is essential for protecting your career and legal rights.

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